UPDATE, June 2010: This is old news now, since Ning is shutting down many community sites. I've moved my blog over to http://newspapervideo.com/blog now - Chuck
View my page on Newspaper Video
I've started a site where newspaper video folks can share and comment on each other's works. Check it out!
Friday, July 25, 2008
Saturday, May 10, 2008
Canon Vixia HF10 (HF100) Review
UPDATE, June 2010: AVCHD is a mainstream format now and you can read about editing workflow here - http://newspapervideo.com/blog/2010/06/how-to-speed-up-your-video-workflow/
UPDATE, LATE 2009: OK, a year and a half after I wrote this review, a lot has changed in the editing realm. Most newish computers with current software, like Vegas or CS4 on the PC or any of the Mac's editing programs, can handle AVCHD with no problems now. The current version of this camera, the HF200, has some subtle but real improvements in handling and controls and is a great little camera. - Chuck
I'm playing with a loaner Canon Vixia HF10 camcorder, which is nearly a twin to the HF100.
This is a cool, sexy camcorder and the lust factor for this critter is way high.
But try as I might to love it, it just ain't happening for me.
First, the good stuff:
* It's tiny -- smaller than a Coke can.
* It has mic and headphone jacks
* It has a decent lens and decent image stabilization
* It uses readily available SDHC flash cards
* The image is great
* It has manual controls, including exposure and audio (YAAAAYYY!!!)
* It takes 37mm filters and accessory lenses
The bad stuff:
* The file format, AVCHD, is hard to edit
* There's no viewfinder, only the lcd screen
* Built-in mics, like many camcorders, are very susceptible to wind noise
* Standard battery life is short: 40-50 minutes
* Have to take it off tripod plate to change battery; the latch is on the bottom
* Manual controls are through a fiddly joystick and nested menus
* It has a mini hotshoe that won't take any standard mics or accessories
* Ergonomics are crummy
* No firewire
* Headphone jack defaults to AV and you have to switch it via menu every time for playback (but it stays put in record mode)
HOW TO EDIT AVCHD
This is a tiny high-def disk-based camcorder that shoots full HD at 1920x1080 and can also shoot several lower bitrates at 1440x1080 -- but it won't shoot standard def.
The HF10 is an AVCHD camera with 16gb of memory onboard and it also uses SDHC cards. (A similar model, the HF100, only uses cards, with no built-in memory.)
The AVCHD format is an extremely highly-compressed mpeg format. You need a really powerful computer to do anything with the files.
I use Macs and on that front, you need an Intel Mac running Final Cut Studio 2 upgraded to at least 6.02. iMovie 08 is also supposed to work with the files. If you have a G4 or G5 Mac or are using Final Cut 5 to edit with, you're out of luck -- you can't even look at the clips. (A program called Voltaic will let you very slowly convert the clips, though.)
I couldn't find anything in our office on the PC side to open the files. Premiere Pro (cs3 production suite) won't touch them, nor will Windows Movie Maker nor Windows Media Player. The HF10 comes with Pixela software, but I can't install outside software on our office computers, so I have no idea how it works.
If you've got the horsepower and the right programs, though, editing is pretty cool. You put the card in a reader and open "log and transfer" in Final Cut 6.02 and *boom* the thumbnails are there in a list instantly. You can scrub through and preview the clips but then you have to ingest them, which even on a 3ghz Mac Pro with 8gb of memory takes a little more than real time. Overall, it's a little quicker than tape, though, 'cause you can choose just the clips you want. I think you need the whole card folder structure to do the log and transfer, so you can't just drag the media files out of the deeply-nested "stream" folder.
When you ingest, Final Cut converts them to ProRes files, so a 15mb file on your sd card suddenly becomes 250mb on your computer.
The 1440x1080 files will play ok on a timeline along with HDV files, but you'll need to render when you output because they don't match exactly.
ERGNOMICS
One of the biggest drawbacks is the handling of this camera. The record on/off switch is in the standard thumb position on the back, which would be fine if it had a viewfinder. But there's no secondary top-mounted record button, so you can't cradle the camera to hold it steady and still hit the button on the back. If you hold it with the grip and your thumb on the button, you have to hold it away from your body and it waves around like a California earthquake. There's no Lan-C jack to add a release, either.
The lcd screen is pretty good, except in sunlight. The controls are on the lcd screen, and you use a combination of push buttons along the bottom and a five-way joystick at the left of the screen. You toggle the joystick to select a menu item and then push it in to execute. (It works better than the HV20 joystick but is still fiddly.) The manual controls for exposure and audio are just like the HV20 - and are still a little difficult to figure out until you've used them a lot. There aren't any zebras to check exposure and the focus is also controlled through menus, so you'll use autofocus all the time.
MISCELLANEOUS STUFF
You'll definitely need a few of the $100 higher-capacity batteries for this puppy. The stock battery is puny. You'll also need to buy class-6 (fast) SDHC cards to get the full HD video quality. But the lower bit rate settings are still pretty good, and will work with slower cards, even though it gives a warning when you put one in the slot, which is located under the lcd screen.
It has a standard 1/4-20 tripod socket, but no locator pin hole so you can't use tripod plates with fixed locator pins. You have to remove the tripod plate to change batteries.
The camera can't be used for live video because it doesn't have firewire, only USB. If you want to use the camera connected to your computer via USB instead of a card reader, it MUST be plugged into the ac power supply - so you're in trouble if you're in the field and forgot your card reader.
BOTTOM LINE
The handling of this camera is too awkward for news use unless you have more patience than I.
If you've got an Intel Mac and Final Cut Studio 2 and LOTS of disk space, this is a cool little camera. You could put together a tiny travel kit with a macbook pro and a small mic kit and a tabletop tripod that would all fit in a laptop bag.
Just make sure you can edit the files with your computer.
(In the video review, the audio is from the HF10: wide shots using the built-in mics; long shots using an Audio Technica ATR35s wired lavalier mic, which costs all of $25. Video of the Vixia was shot with a Canon XHA1. Still pictures from a Canon S3is.)
I'm playing with a loaner Canon Vixia HF10 camcorder, which is nearly a twin to the HF100.
This is a cool, sexy camcorder and the lust factor for this critter is way high.
But try as I might to love it, it just ain't happening for me.
First, the good stuff:
* It's tiny -- smaller than a Coke can.
* It has mic and headphone jacks
* It has a decent lens and decent image stabilization
* It uses readily available SDHC flash cards
* The image is great
* It has manual controls, including exposure and audio (YAAAAYYY!!!)
* It takes 37mm filters and accessory lenses
The bad stuff:
* The file format, AVCHD, is hard to edit
* There's no viewfinder, only the lcd screen
* Built-in mics, like many camcorders, are very susceptible to wind noise
* Standard battery life is short: 40-50 minutes
* Have to take it off tripod plate to change battery; the latch is on the bottom
* Manual controls are through a fiddly joystick and nested menus
* It has a mini hotshoe that won't take any standard mics or accessories
* Ergonomics are crummy
* No firewire
* Headphone jack defaults to AV and you have to switch it via menu every time for playback (but it stays put in record mode)
HOW TO EDIT AVCHD
This is a tiny high-def disk-based camcorder that shoots full HD at 1920x1080 and can also shoot several lower bitrates at 1440x1080 -- but it won't shoot standard def.
The HF10 is an AVCHD camera with 16gb of memory onboard and it also uses SDHC cards. (A similar model, the HF100, only uses cards, with no built-in memory.)
The AVCHD format is an extremely highly-compressed mpeg format. You need a really powerful computer to do anything with the files.
I use Macs and on that front, you need an Intel Mac running Final Cut Studio 2 upgraded to at least 6.02. iMovie 08 is also supposed to work with the files. If you have a G4 or G5 Mac or are using Final Cut 5 to edit with, you're out of luck -- you can't even look at the clips. (A program called Voltaic will let you very slowly convert the clips, though.)
I couldn't find anything in our office on the PC side to open the files. Premiere Pro (cs3 production suite) won't touch them, nor will Windows Movie Maker nor Windows Media Player. The HF10 comes with Pixela software, but I can't install outside software on our office computers, so I have no idea how it works.
If you've got the horsepower and the right programs, though, editing is pretty cool. You put the card in a reader and open "log and transfer" in Final Cut 6.02 and *boom* the thumbnails are there in a list instantly. You can scrub through and preview the clips but then you have to ingest them, which even on a 3ghz Mac Pro with 8gb of memory takes a little more than real time. Overall, it's a little quicker than tape, though, 'cause you can choose just the clips you want. I think you need the whole card folder structure to do the log and transfer, so you can't just drag the media files out of the deeply-nested "stream" folder.
When you ingest, Final Cut converts them to ProRes files, so a 15mb file on your sd card suddenly becomes 250mb on your computer.
The 1440x1080 files will play ok on a timeline along with HDV files, but you'll need to render when you output because they don't match exactly.
ERGNOMICS
One of the biggest drawbacks is the handling of this camera. The record on/off switch is in the standard thumb position on the back, which would be fine if it had a viewfinder. But there's no secondary top-mounted record button, so you can't cradle the camera to hold it steady and still hit the button on the back. If you hold it with the grip and your thumb on the button, you have to hold it away from your body and it waves around like a California earthquake. There's no Lan-C jack to add a release, either.
The lcd screen is pretty good, except in sunlight. The controls are on the lcd screen, and you use a combination of push buttons along the bottom and a five-way joystick at the left of the screen. You toggle the joystick to select a menu item and then push it in to execute. (It works better than the HV20 joystick but is still fiddly.) The manual controls for exposure and audio are just like the HV20 - and are still a little difficult to figure out until you've used them a lot. There aren't any zebras to check exposure and the focus is also controlled through menus, so you'll use autofocus all the time.
MISCELLANEOUS STUFF
You'll definitely need a few of the $100 higher-capacity batteries for this puppy. The stock battery is puny. You'll also need to buy class-6 (fast) SDHC cards to get the full HD video quality. But the lower bit rate settings are still pretty good, and will work with slower cards, even though it gives a warning when you put one in the slot, which is located under the lcd screen.
It has a standard 1/4-20 tripod socket, but no locator pin hole so you can't use tripod plates with fixed locator pins. You have to remove the tripod plate to change batteries.
The camera can't be used for live video because it doesn't have firewire, only USB. If you want to use the camera connected to your computer via USB instead of a card reader, it MUST be plugged into the ac power supply - so you're in trouble if you're in the field and forgot your card reader.
BOTTOM LINE
The handling of this camera is too awkward for news use unless you have more patience than I.
If you've got an Intel Mac and Final Cut Studio 2 and LOTS of disk space, this is a cool little camera. You could put together a tiny travel kit with a macbook pro and a small mic kit and a tabletop tripod that would all fit in a laptop bag.
Just make sure you can edit the files with your computer.
(In the video review, the audio is from the HF10: wide shots using the built-in mics; long shots using an Audio Technica ATR35s wired lavalier mic, which costs all of $25. Video of the Vixia was shot with a Canon XHA1. Still pictures from a Canon S3is.)
Tuesday, March 4, 2008
FromDistance - Tools for Agile, Mobile Reporters
One of the companies pitching their wares here in Belgium is the Finnish company FromDistance. They make software for mobile phones (Nokias, of course, they are in Finland,) which allow reporters to post text and video directly from cell phones into their content management systems. Check it out.
Sign Of The Times: UNHCR Begs For Coverage
At the DNA2008 Video Journalism conference in Brussels, I was approached by two different media relations reps from the United Nations High Commissioners for Refugees who were virtually begging for coverage of refugee issues. Mainstream media has cut back so much that big stories go uncovered these days.
The UNHCR media folks have set up sites that we can download video from crisis situations that we can use for our stories. And they're eager to make their staff-produced video coverage meet professional video standards, both in quality and ethics. I felt bad for these guys; they obviously had a passion for the cause but newspapers don't care any more.
The media site for UNHCR is at http://www.unhcr.org/cgi-bin/texis/vtx/media?page=home
DNA2008: Newspaper Video Will Die in 2008
In a panel inspired by Andy Dickinson's New Year's Predictions blog posting, by the same name, Dickinson, myself, and Michael Rosenblum discussed what it takes to make video work at newspapers.
You can hear part of the panel, but not all of it as I was bitten by tech problems while sitting on the panel and unable to monitor the recording. Let this be a lesson: multitasking and multimedia do not mix.
Don't get the wrong idea: none of us were predicting the death of newspaper video. However, we all agree that bad decisions by management at newspapers could put it on life support.
I made the point that publishers need to think about the back end before handing gear to staffers -- content management systems that can embed video with stories, servers that work, players that don't piss off viewers, and tagging that Google can find. It sounds easy but very few papers are doing even these basics.
DNA2008: Brand Value Through Video
I was drafted at the last second to be on the "Brand Value Through Video" panel at the DNA2008 conference in Brussels. On the panel was Michael Rosenblum, Andrew Creighton, Chief Executive, Vice Europe; and James Montgomery, Editor at FT.com.
The ever-so-dull Financial Times has equally dull video of talking heads -- which fits their brand image precisely.
Creighton's http://VBS.TV site is really innovative. Look at their player window -- it's a real 3-d room in which they sell product placement on the objects in the room -- the shelves, pictures, etc. They're covering world-wide stories with a small staff with a youth market orientation.
You can listen to a recording of the session to hear my comments on my paper's branding practices with video.
Monday, March 3, 2008
Can Video Save the Print Industry?
A panel discussion today at the Digital News Affairs 2008 video journalism conference in Belgium attempted to answer the question: Can video save the print industry?
Moderator Richard Gizbert from Al Jazeera International speaks with:
Edward Roussel, Digital Editor, Telegraph (U.K.) Media Group;
Bas Broekhuizen, Editor, Volkskrant TV;
Charles de Broede, Online chief Editor, de Telegraaf;
Adriaan Bouten, Sr. VP and Chief Information Officer, McGraw-Hill;
and Joris Van Heukelom, CEO, Ilse Media
You can hear the hour-long discussion by clicking here.
Many of the panelists agreed that the culture in a newspaper's executive suite was the biggest stumbling block to video. And the difficulty in selling ads is a problem. There is some optimism that targeted advertising in video will be profitable.
But how to achieve success was still an unkown. Charles de Broede from de Telegraaf advocates for live streams and more of a TV model, while Joris Van Heukelom of Ilse Media says to give up the head of the long tail to broadcast and put your resources in the long tail of searchable video.
Adriaan Bouten noted that their business-to-business subscripton videos on construction techniques were doing well financially but that biz-to-consumer video was not.
Apparently, the question of whether video can save the print industry is not an easy one to answer.
Newspapers Can Make Money from Video
I spoke today to Ernest Bujok, the manager of the Concentra Media group's video and radio operations.
Concentra Media, a chain of newspapers in Belgium, bought cable television stations and turned them into the most profitable part of their business.
Rather than trying to convert their newspaper newsrooms, they use separate staffs in a separate building, using VJ's to cover local news and events.
While the newspapers are running at six percent profit, the television stations are running at 30% profit.
Click on this link to hear the whole seven minute interview.
Concentra Award-Winning Video Journalism
At the DNA 2008 conference the winner of the Concentra 10,000-Euro prize for solo video journalism was announced tonight. The winner was Idar Eduin Krogstad, from NRK Østafjells (Norway). His winning piece, entitled "Night Watch", is a look at the lives of nurses at a nursing home and can be seen on the Concentra site.
Krogstad holds his statue of Tin Tin the Belgian comic hero as he accepts the award:
Video Journalism: A "500-Year Storm"
I am in Belgium for the Digital News Affairs video journalism conference
Michael Rosenblum, who trains VJ's and produces TV shows, gave the opening remarks at the DNA 2008 Digital News Affairs conference in Brussels, Belgium today. Michael is a well-known evangelist for the one-man-band VJ model, hailed by some as a visionary and reviled by traditional television crews as someone who is trying to kill TV.
He talked about the coming storm in the news industry, a storm which will be brought about by new technology putting the means of producing television into the hands of anyone.
"In the world of journalism and technology ... we are headed for the 500-year storm. There is a giant tidal wave out there."
"500 years ago Gutenberg brought the printing press to bear. Gutenberg thought the printing press was about making cheaper bibles and so did everyone else. But that's not what it did. What the printing press did; it put the ability to publish in the hands of anyone who wanted to try, and that changed the world."
"The invention of the printing press... brought about the world of a free press, which is what we live in today."
"We don't live in a world of print; we live in a world of video and online. And these little cameras, and these laptops; these are the Gutenberg printing press of the 21st Century."
"They make it possible for anyone with an idea to publish in the most common medium in the world...
"This technological storm is going to wash away most of what we understand today and replace it with something entirely different. Whether you participate in it or are taken away by it, is entirely in your hands. But it is going to come."
Click on this link to hear the whole 25 minutes of the speech.
Michael Rosenblum
(photo by Chuck Fadely)
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